D DP
London, © 2026         
  


    BIO       

Domenico Di Paolo [2000] is a curious human being.

His post-disciplinary practice investigates possible future rituals linked to emerging technologies, 
primarily using sound as a tool of inquiry.


    CONTACT        domenicodipaolo.xyz@gmail.com


Instagram


    CV

Complete CV here



   

    SELECTED WORKS 

TypeYear
    IMAGO       .Product development      .
Work in progress

    ALEA       .Product development      .      
2025

    AURORA       .
Installation             .2024-2025

    PERSONAL OBS        .
Research                 .2024
           

D DP


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AURORA Research     2024



OVERVIEW

Aurora is a speculative device designed to explore the act of prayer. It allows users to engage through proximity-based hand gestures. These movements generate evolving, dreamlike soundscapes that serve as a sonic medium for communication with the subject of their prayers.

It critically examines the interplay between technology and spirituality, encouraging reflection on the potential benefits and risks of integrating machines into deeply human experiences. It challenges us to consider how future societies might adapt - or be reshaped - by the intersection of faith and innovation.









TECHNICAL 
 DETAILS

Key to Aurora’s functional operation is a series of four vertically facing ultrasonic sensors. These sensors are subtly embedded upon the main metallic structure and are connected to an embedded PCB, upon which a Seeed XIAO ESP32S3 microcontroller is situated. 

Operationally, the vertical distance of the user’s hand relative to the position of these sensors determines the precise note being played by the user. This means that motioning one’s hand vertically above a sensor would sound similar to playing an entire piano scale in real-time. However, in the case of Aurora, each sensor represents a different instrument and creates entirely different sounds. The result of this is the production of a dense soundscape completely unique to the exact patterned motion of the user’s hands but played in a consistent scale. 

To achieve this, the Seeed XIAO ESP32S3 microcontroller processes said physical inputs from each of the sensors, maps these values to a suitable, applicable range, transforms the values into a readable MIDI format, controls the musical scale that will be played, and sends this data wirelessly to Ableton Live.










TECHNICAL 
 DETAILS

Key to Aurora’s functional operation is a series of four vertically facing ultrasonic sensors. These sensors are subtly embedded upon the main metallic structure and are connected to an embedded PCB, upon which a Seeed XIAO ESP32S3 microcontroller is situated.

Operationally, the vertical distance of the user’s hand relative to the position of these sensors determines the precise note being played by the user. This means that motioning one’s hand vertically above a sensor would sound similar to playing an entire piano scale in real-time. However, in the case of Aurora, each sensor represents a different instrument and creates entirely different sounds. The result of this is the production of a dense soundscape completely unique to the exact patterned motion of the user’s hands but played in a consistent scale.

To achieve this, the Seeed XIAO ESP32S3 microcontroller processes said physical inputs from each of the sensors, maps these values to a suitable, applicable range, transforms the values into a readable MIDI format, controls the musical scale that will be played, and sends this data wirelessly to Ableton Live.




REFERENCES





In collaboration with Kieran Feechan

Photo: Rino Qui
Look: Ugo Carrara

2024                      Exhibitions:

‘Making Kin’
BASE Milano
Milan Design Week 2025

‘Systems of Care’
Sónar+D ‘26
Barcelona